Sabtu, 22 September 2012

Download Public Land Elk Hunting (Black & White), by Matthew Dworak

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Public Land Elk Hunting (Black & White), by Matthew Dworak

Product details

Paperback: 192 pages

Publisher: CreateSpace Independent Publishing Platform (August 23, 2013)

Language: English

ISBN-10: 1492176990

ISBN-13: 978-1492176992

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 12.3 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

79 customer reviews

Amazon Best Sellers Rank:

#355,346 in Books (See Top 100 in Books)

The book is certainly okay for a true novice. By true novice, I'm referring to someone with very little hunting experience.In reality, this book boils down to multiple gear lists and general tips. Most hunters, who have had unsuccessful hunts, can come up with much of the same advise: go where the other hunters are not. The author's main premise is such advise. Consequently, the gear lists also focus on the necessity of reaching less crowded public hunting grounds: light weight back packing.I would recommend this book if you are thinking about getting into hunting or have hunted a little in the past but want to commit more time to it. The book serves it's purpose as a decent starting spot. The book, however, misses opportunities to engage the reader with more information about Elk, i.e.: migratory patterns, biology, mating, herd dynamics, etc.

I picked this book up as I was getting prepared to move to Colorado. I knew nothing about elk other than seeing them a few times throughout my summer trip through the national parks system long ago when I graduated high school.The book is plainly written for the average Joe who wants to go out west and hunt for elk. Matt is a Colorado native who has local knowledge, and that was what I was hoping to glean from the book. It covers most of the bases with packing lists and making sure to hammer on things that are important such as land access and corner crossing as well as fitness involved in hunting the mountains looking for these giant cervids. It's 179 pages of easy reading, especially if you're driven by the need to succeed in the elk timber you should be able to read it in three decently relaxed sessions.The book is packed with good resources although the color photos turned out a little grainy in the paperback edition as they were converted to black and white. While the book is written well and sectioned off into easily digestable chunks perhaps it could use a second edition at some point to fix some spelling and grammar errors that to me were glaring, but that'd kind of not the point of the book, now is it? I'd have liked more information on elk behavior and being able to locate the critters -- but Matt's information on using GPS chips for land ownership and some of the information that they provide more than makes up for this, as it's the tactic I often employ with whitetail back east. He makes multiple mentions of the use of a fourwheeler and Argo type vehicle but also mentions that the land is public. This is a somewhat dangerous assertion without clarifying what type of land he's on, whether it's national forest of BLM land. There's no mention that perhaps some different tracts of public land are more accessible than others. While it may be pedantic but the use of the word 'wilderness' in the book is definitely little 'w' wilderness as the lands covered under the Wilderness Act generally speaking do not allow for mechanical conveyances. This is important for the perhaps less fit audience that may take his advice going into the woods. Fines are steep for getting caught where you're not supposed to be on the back of a quad.I have no doubt that you can be successful if you're a transitioning hunter by reading this book if you already have enough wilderness skills and you're plenty familiar with backcountry camping. Unfortunately the book left me feeling a little wanting. It's an excellent base, but after having chased whitetail for nearly two decades back east as a long range day packer, I'd have liked some more advanced tactics and elk patterning techniques. I definitely didn't want his Colorado specific honey holes, but some more general things about where elk like to hang out would have been nice.

This book is for the beginner to novice hunter with emphasis on the Colorado wilderness but the info works in any state. Most of the book covers the very basics with the last 25% actually getting into calls and tactics. This book is perfect for someone who doesn't know where to start.

I really liked reading this and have gone back several times to it.We hunt deep in a wilderness area where it's 15 miles driving from the main road to the trailhead, and another 4-5 miles of hiking to where we setup. This guide reinforces that by suggesting bivouac hunting as a solid tactic.It's also full of gear lists, which are a good starting point for customizing your own.There are tips on where to hunt, what to looks for, when to be out, etc.Highly recommended for starting elk hunters.

The author is predominantly a bow hunter. Most of his tactics and advice work for the bow hunting seasons, but may not be as effective during late season rifle seasons. However even with that said this is a great book for any beginner. This will be my second season up and I plan on implementing a bunch of his tactics. It was also helpful for me to analyze my first season and understand the items I did right, the items I could do better and the items I did completely wrong! I have more confidence in my next season and will be keeping this book with me to help me plan in the field.

there's an awful lot in this book about things like rifle cartridges and other things that decently educated hunters will probably know plenty about. I enjoyed reading the book, and it helped get me excited for my elk trip – but I didn't learn very much about elk. I did however considered a worthwhile read – especially for the price. The book does a good job of helping you understand what it takes to do well hunting on public land – which is what it is for.

When you're doing research on something like this. I find that reading multiple books that have different opinions and ideas a great way to corral unbiased information. This book has been a great addition to my elk hunting collection. A lot of great information and I like the authors point of view. Great learning tool.

Great info about basics. I'm new to elk hunting and this helped me decide on a gear list and how to approach bivy type hunting for the first time. Overall it's a good read.

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Minggu, 16 September 2012

Free Download Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom

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Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom

Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom


Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom


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Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom

Review

"Not only can the book serve as a primer supporting and spurring educators to address controversial issues while teaching, it can also inspire critical thinking and questioning among colleagues in schools, districts, and preparation programs." ―Teachers College Record"Accessible and interesting to classroom teachers, teacher educators, and anyone interested in a thoughtful breakdown of issues vital to a functioning democracy through a unique lens." ―Theory and Research in Social Education"As a European, I found the information given in the discussion of the controversial issues very interesting. Noddings and Brooks offer an exciting eight-chapter short course on current North-American society and history. I think that this alone makes the book worth reading for non-Americans in order for them to get a snapshot of North-American society and to understand some of its recent developments, but I also believe that North-Americans can profit from reading the book." ―Science & Education“Brilliant! This is a book that all educators and parents should read. Noddings and Brooks―well known in their respective fields, and also a mother/daughter team―make a strong and persuasive case for the fundamental need to develop critical thinking that starts in the elementary school in order to nurture moral commitment among students. They paint a landscape that outlines the pressing topics (such as religion, race, gender, equity, justice, and freedom) facing society today. They carefully trace the historical roots of these, outline the current issues and, with practical suggestions, show how they might be addressed in classrooms. They make compelling arguments in addressing why such topics need to be integrated across the curriculum and how critical thinking is so central in developing a thoughtful moral imperative in which society can survive and thrive.” ―Lynn Butler-Krisber, McGill University"One of the most common mistakes about good teachers is that they avoid controversy and open moral commitment. Noddings and Brooks not only show why this is a mistake, they also show how teachers can engage controversy and express their moral values in an educationally inspiring way. This is a brilliant and timely book that will transform how many readers will think about what good teaching can accomplish." ―Eamonn K. Callan, Stanford University“Brooks and Noddings offer a timely and inspirational guide for teaching critical thinking in American schools. With deep roots in American philosophy and traditions, this book inspires us to teach students to question authority while fostering meaningful conversations about the difficult issues confronting our nation. This book offers a recipe for nurturing the next generation of caring and critical democratic citizens.” ―Andrew Fiala, professor, California State University, Fresno“With thoughtful and accessible prose, Noddings and Brooks explore the fundamental, “hot button” issues that course through our history―religion and race, equality and justice, poverty and patriotism, capitalism and class―helping readers understand the profound connections between critical thinking and moral commitment. Chock-full of contemporary and historical examples, their book offers educators myriad examples of how to help students learn to talk with and listen to others and to understand the fullness of our collective humanity.” ―Suzanne M. Wilson, University of Connecticut

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From the Author

Nel Noddings is Lee Jacks Professor of Education, Emerita, at Stanford University. Her books include Education and Democracy in the 21st Century, When School Reform Goes Wrong, The Challenge to Care in Schools, Educating Citizens for Global Awareness, Educating for Intelligent Belief or Unbelief, and Educating Moral People. Laurie Brooks is on the board of Provident Financial Services and serves on advisory boards for programs at North Carolina State and Rutgers Universities.

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Product details

Paperback: 192 pages

Publisher: Teachers College Press (December 16, 2016)

Language: English

ISBN-10: 0807757802

ISBN-13: 978-0807757802

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#484,756 in Books (See Top 100 in Books)

The organization of the book is good, and she tackles the tough ones, but some of her ideas are not possible in today's educational system. I bought for a college class.

very useful text

I had to buy this for a college class. It wasn’t so bad of a book I waited to the last min to write a paper on it and ending up reading the book in a day. Easy read and kinda interesting.

Great book!

Another wonderful book from Nel Noddings!

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Kamis, 13 September 2012

Free Ebook The City of Falling Angels, by John Berendt

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The City of Falling Angels, by John Berendt

The City of Falling Angels, by John Berendt


The City of Falling Angels, by John Berendt


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The City of Falling Angels, by John Berendt

Review

Funny, insightful, illuminating... [Venice] reveals itself, slowly, discreetly, under Berendt's gentle but persistent prying. (The Boston Globe)Berendt has given us something uniquely different....Thanks to [his] splendid cityportrait, even those of us far from Venice can marvel. (The Wall Street Journal)

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About the Author

John Berendt has been a columnist for Esquire and the editor of New York magazine, and is the author of Midnight in the Garden of Good and Evil, which was a finalist for the 1995 Pulitzer Prize in general nonfiction.

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Product details

Paperback: 414 pages

Publisher: Penguin Books; 1st Thus. edition (September 26, 2006)

Language: English

ISBN-10: 0143036939

ISBN-13: 978-0143036937

Product Dimensions:

5.1 x 1 x 8.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

369 customer reviews

Amazon Best Sellers Rank:

#58,579 in Books (See Top 100 in Books)

An interesting book about the town of Venice and the people who actually live there- as opposed to the tourists. The people and places you meet in the book are interesting, but he just couldn't find the quirkiness and the mystery that he found in Savannah. Sorry, John. "Midnight" is one of my favorite books- next time, try New Orleans.

I read this book when it first came out, and I remember it as being one of the best books I ever read. It married a mystery with quirky characters, with history - all of the components that made "Midnight in the Garden of Good and Evil" truly great. I recently bought the book and read it again, with hopes of recommending it to my book group. But alas, I remember it better than it was. I would recommend this book - but not for a book group. There really wasn't enough there for discussion. I personally got a lot out of it, because I read it right before taking a trip to Venice. It formulated my travel plans in the city. Some high points of my trip were going to a concert at La Fenice Opera House, and viewing the church that gave the book its title.

What a great book. The author relates everything that is great and not so great about Venice. Its history, its greats, its eccentrics, its social history, what Venice was, is and what it hopes to be. A fantastic book. A pleasure to read.

It's inevitable that readers of Midnight will have high expectations for Berendt's latest, and I, too, wanted to be charmed when I began Angels. Berendt failed to fire my interest in the first chapters, but I continued on and after plowing ahead found myself fully engrossed. I was rewarded for my perseverence.Berendt has managed to write vignettes that fall together in a theme of decadance amid beauty. Angels falling, indeed. An arrogant people resting on very old laurels, the world's most beautiful city requiring a league of wealthy New Yorkers for its preservation, and no particular thrust by its citizenry to rise up from the muck into which it's been sinking for centuries.There are juicy scandals. bits of glamor and frivolity, and sad glimpses of a city that is falling apart in more ways than the physical. The place is a fascinating mess. That's Venice: an agonizingly proud and crippled city held up only by its glorious past which remains in full evidence to its many visitors.Berendt makes a textual thread of the tale of the fire at the Fenice Theatre and the legal machinations to find blame, but it's more a book of short works that would stand alone. As such, it sits well with everyone's favorite works about Venice.

The book never seemed to take off or really finish. I would not recommend this book to a friend to read.

I find Berendt's style of writing engaging and his story telling an enjoyable way to explore history from a unique perspective. His access to people who had a front seat to noteworthy events gives a front row seat as mysteries unfold. I'm getting ready for a trip to Venice and this book added to my excitement. Only wish I could meet some of the people he had access to.

For anyone interested in a snapshot of Venetian elite living, although not quite. Venice seen by an American writer who was able yo cominglel with expatriates as well as a select number of Venetian upper crust. Very well done vignettes on Venetian history as promptef by the fire of the opera house. I found it good and absorbing reading but I am a historian .

I bought this book in the mistaken belief that it was a novel. In fact, it is a work of non-fiction, but its rich cast of characters might provide enough material for several novels; they leap off the page in all their obsessions, follies, and foibles with an intensity that seems to belong more to fiction than to sober fact. But then Venice, which is the setting of John Berendt's book, has always seemed a place of fantasy; perhaps that is why it has attracted so many expatriate artists over the centuries (Robert Browning, JMW Turner, Henry James, Richard Wagner, Claude Monet, Igor Stravinsky, and Ezra Pound, to name but a few), besides producing such great art of its own.Berendt arrives in Venice in January 1996, a day or two after the city's famous opera house, La Fenice (the phoenix, aptly named), had been completely gutted by fire. He decides to stay in the city for a long time, and the story of the investigation of the fire, raising the money for the theater's reconstruction, selecting between competing plans and bids, and the Byzantine process of gaining approvals and managing the rebuilding forms the major connecting thread of the book, ending with the theater's reopening in 2003. But there are other stories as well, often with strong novelistic overtones. One in particular -- an account of shady dealings in the disposal of a large cache of documents left by Ezra Pound -- Berendt sees as a virtual replay of the plot of Henry James' novella, THE ASPERN PAPERS, in the same Venetian setting.Berendt shares a nineteenth-century novelist's fascination with internecine feuds. There are two main ones in the book. The first details a split between the sons of the last great master of Venetian glass-making, Archimede Seguso, whose final works were created out of a personal response to the Fenice fire, which he watched from his apartment. Berendt has a way of making one brother seem an angel and the other the villain -- until he interviews the other, allowing the reader to see the situation from the opposite perspective and to make up his own mind. He uses the same technique in describing the feud between the Americans Larry Lovett and Bob Guthrie, the successive presidents of the Save Venice foundation. Here the dealings get a lot more unpleasant and leave a nasty taste in the mouth even after the book is finished. I think this is partly because these people occupy a social stratum far above that of most readers; I find myself asking of these and several other characters in the book: "How can you use your privileged position to behave like THAT?"For there is one quality that I do not like in this excellently-structured and well-written book: Berendt writes from the perspective of a superior gossip columnist and social snob. The whole book has an implied put-down of tourists and ordinary visitors. Berendt claims to write about the real Venetians, the people who live there the whole year round. But a high proportion of his characters are the movers and shakers, the Venetian contesse and marchesi, foreign royalty, captains of industry, millionaire expatriates, film stars, and a few powerful members of the city administration. Even his historians and connoisseurs have to be world experts. There seems to be little room for ordinary travelers and art-lovers who approach this special city with respect and wonder. Berendt takes delight in visiting the rich and famous in their palaces that others cannot penetrate, but the effect on this reader at least is one of exclusion, not access. Having spent many weeks in Venice as a student of art history, then a musician, and then on my honeymoon, I feel a sympathy with the place; but instead of extending my admittedly partial understanding, this book makes me feel that I do not belong there at all.My title, opera buffa, is also the title of one of Berendt's chapters; there is indeed a comic-opera quality through the entire book, the extended spirit of the Venetian Carnival, though I think less of opera than the crazy excess of a Fellini movie. But there is a softer side to the comic vision, verging on pathos, which Berendt handles especially well in his brief portraits of Venetian loners. Early on in the book, we meet Capitano Mario, an eccentric who dresses in a different uniform every day to perform perfectly useless tasks of splendid busy-ness. Then there is the Rat Man of Treviso, an industrialist who has made a fortune selling country-specific rat poison which tastes of typical leftovers from human food, only better. And a very moving chapter near the end tells of the apparent death by suicide of a well-known gay poet, who wanted to be known as "the man who loved others" but who had nobody truly to love him. Here, as the human comedy shifts into tragedy, Berendt touches a note that validates the underlying seriousness of his book, despite the baroque excesses of its upper crust.

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