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Review
"Some of the best writing – funny, strange, spiteful, anguished – we’ve ever had from an important musician.” –Dwight Garner, The New York Times “The book is fantastic - maybe the best about music by a musician that I've read.... The stuff about the collaborations alone - McCartney, Burt Bacharach, Allen Toussaint, the Roots, the Brodsky Quartet - is riveting.” –Nick Hornby “In a world littered with uneven (and largely ghosted) celebrity memoirs, “Disappearing Ink” is a beautifully written revelation. Dare I blaspheme by declaring I liked it even more than the excellent memoirs produced by Bob Dylan and Keith Richards? Costello embraces the basic qualities of good storytelling: the use of detail, tension and humor....The book is also a gold mine for Costello obsessives who have spent decades dissecting and analyzing his every lyrical zinger. But it’s not just for fans, more “Angela’s Ashes” than Motley Crue’s “The Dirt.” “Unfaithful Music” is a lyrical tale that stretches across generations, geography and a century of popular song. The book serves as both a musical and personal anthropology.“ –Geoff Edgers, The Washington Post "Often brilliant and wholly idiosyncratic." –David Ulin, Los Angeles Times ”[Unfaithful Music & Disappearing Ink] is refreshingly free of salacious gossip and needless name-dropping; it's an intelligent self-assessment from a musician who went from angry young man to elder statesman of pop… It's an unexpected memoir from a musician whose creativity and brilliance changed pop rock forever.” —Michael Schaub, NPR “Revelatory, evocatively crafted, [and] highly entertaining.” –David Fricke, Rolling Stone “A winningly droll and good-natured guide to his life and many works throughout.” –Entertainment Weekly “Punctuated with sardonic and self-aware truths.” –Pitchfork"Just like his music, Unfaithful Music constantly defies expectations and the simple pleasures of faraway days. Written in a clipped, biting style, the book reads like Costello's greatest songs, equally lyrical and hard to pin down. It's a constantly illuminating, perpetually idiosyncratic read, fitting for a musician whose entire life has been one long reinvention…. For 670 brilliant pages, we're allowed to tag along with one of the greats, witnessing the unchanging beauty of a man who refuses to settle down on his quest of musical self-exploration—and we're all better off for it. " –Chicago Reader“Vivid….It's not surprising that one of rock's most literate songwriters would pen such a deep, free-form memoir.” –Houston Chronicle“Elvis Costello delivers an impeccably detailed autobiography. He’s often as brilliant at turning a phrase in prose as he is in his lyrics.” –Paste Magazine “Enthralling…. This is family history as musical encyclopedia, and to listen to Costello recount his life is to be buttonholed by an enthusiastic fan. Fandom for Costello is inseparable from the compulsion to write songs and, it seems, to understand his own life…. Fortunately for the fan of Costello’s music the topic of discussion is often his own songs, and he is, unsurprisingly, a witty and eloquent guide.” —Paul Grimstad, New Republic “Long one of music's wittiest, smartest, and most perceptive lyricists, Costello has done his legacy proud with his new book, which, thankfully, goes far beyond his angry-young-man days, most movingly in its frequent reminiscences about the relationship between the singer and his musician father.” —New York Magazine “[Costello] pens books with the same clever writing that he uses in song.” —Kathy Flanigan, Milwaukee Journal-Sentinel “Costello[‘s] book is capacious, clever, and full of heart and soul.” —Dan DeLuca, Philadelphia Inquirer “The story unfolds like a movie that jumps across time, more thematic than chronological, as boyhood anecdotes and obsessions intersect with mature songs and adult reckoning…. The book doubles as a selective mini-history of 20th century music, as told by a discerning guide. He addresses artists both towering (Bob Dylan, Joni Mitchell, Johnny Cash) and relatively unheralded (David Ackles, Robert Wyatt) with a fan's affection and music scholar's insight.” –Greg Kot, Chicago Tribune"With an encyclopedic knowledge and appreciation for, and deep love of, music, and with an expressive power and heart, Costello’s memoir will take its place in the highest echelons of the genre." --Library Journal (starred review)“This is a big book, literally, by one of the best rockers in the business. Given the singular, and eclectic, nature of his career, it is no surprise that Elvis Costello’s anecdotal autobiography is an idiosyncratic journey through his music and the people and places that have inspired him…A must for Costello fans everywhere.” --Booklist (starred review) “Costello’s prose cuts with the same spiky wit and observational power as his well-known lyrics…packed with great lines, vivid anecdotes…a treat for his many fans.” —Kirkus Reviews “Plenty of tales to keep the pages turning. Readers will be fascinated by Costello’s stories…his book feels like a discussion between friends over a pint.” —Publishers Weekly"Costello is one the greatest writers of the 20th Century. It's funny, observant and clear of purpose." --Times "By turns lachrymose, self-flagellating and impassioned. Unsurprisingly, it is beautifully written. It is also often extraordinarily moving." --Dan Cairns, Sunday Times "Written elliptically, episodically beautiful ... this man's knowledge is breath-taking." --Observer "Every page exudes his deep love and knowledge of modern music." --The Guardian "His witty, word-playing voice transmits loud and clear....there are smart snapshots of vanished worlds...all his sins and virtues are displayed in this stylish, astute book." Victoria Segal, Sunday Times "A truly weighty rock memoir ... There's plenty of insight into his art here, a smattering of gossip, a wealth of pop-cultural knowledge, and just enough self-flagellation to keep things interesting." --NME "A series of wryly comic tales that surely deserve the full Penguin Classic treatment randomly afford Morrissey." --GQ "One of the finest musical biographies I have ever read ... an engrossing and rewarding read." Keith Bruce, The Herald "It really is stunning. Hugely illuminating, fiercely passionate, funny, moving and beautifully written." --Mark Billingham
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About the Author
Elvis Costello is a Grammy award-winning musician whose career spans almost four decades. A prolific singer-songwriter, Costello has released several critically-acclaimed albums, and in 2003 was inducted into the Rock and Roll Hall of Fame.
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Product details
Hardcover: 688 pages
Publisher: Blue Rider Press; First Printing edition (October 13, 2015)
Language: English
ISBN-10: 0399167250
ISBN-13: 978-0399167256
Product Dimensions:
6.4 x 1.6 x 9.3 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
153 customer reviews
Amazon Best Sellers Rank:
#209,245 in Books (See Top 100 in Books)
Whew!!!! Listening to Elvis C. over the course of 15 CDs was a profoundly moving, entertaining, and informing listening experience. I wanted to read the book, and when I discovered that Elvis narrates the audio, I decided to listen. His voice, as reader of his material, is superb. His imitations of other figures are hysterical! (I'm smiling as I write this remembering his Bob Dylan and George Jones imitations). I've learned so much from this book, about Elvis's life, about his writing craft, and about all the tremendous (and varying) musicians that have inspired him. I enjoyed all the lyrics he stated throughout the text. The book has re-introduced the entire Elvis canon to me, and then some. Elvis albums I've previously dismissed I now look forward to listen to with a newly-learned appreciation. I now want to buy the book to read it again. This book is guaranteed to expand your record collection - among the new records I have purchased (thanks to Unfaithful Music), is Billie Holiday's All or Nothing at All, which EC raves about as one of his necessary recordings (or which there are so many). If you are passionate at all about music, read - better yet listen to - this book!
Elvis's biography is much like 90% of his recorded output: alternately genius and pedestrian, compelling and tedious, opaque and vulnerable, impeccably crafted and sloppily slapdash, often in the space of a single sentence. Unlike some other reviewers here, I found his treatment of his grandparents and parents to be some of the strongest material. Several stories of the real life events that inspired lyrics are revelatory, and will forever change how I view the songs. But the endless self-recrimination, while no doubt heartfelt, alternates with incurable English reserve so that, like one of his own lyrics, we're often not quite sure exactly what sentiment is being expressed. As in his songs, his prose seems more confessional than he seems to think it is; he's a master of deflection, misdirection, and syntactical sleight of hand, which is both exhilarating and frustrating. The tales of his various encounters with other "song and dance men" are interesting to the extent you have any reference point for the often obscure musicians and songwriters involved. The stream of consciousness time-shifting didn't bother me, but will leave those who prefer linear storytelling tearing out their hair.The text also, like many of his albums and the long jumble of his career overall, suffers from a case of "too many words." I mean his prolificacy is great and all, but there are precious few of his records that couldn't use some judicious trimming. There's no reason in the world for this book to approach Moby Dick length, especially as many incidents are repeated practically word for word in different contexts.I read every word and enjoyed it, and having your streaming audio service handy to listen to his many influences, inspirations, and recommendations is highly recommended. Looking forward to seeing him with the Imposters and the Hollywood Bowl this summer.
I picked up this book at an airport bookstore. It was easy enough at the start, and I had not had anything but the internet and one field guide to read in English for 10 days. I knew I had a brick in hand, but perhaps it contained some answer to mysteries.The lyrics and origins of many songs are explained. There is an accompanying two CD set you can buy if you do not know the songs. His strength is in his lyrics. He explains collecting fragments in a notebook, phrases heard, that sort of thing. A common way for song writers.Previously I managed the Dylan autobiography and one by George Harrison. Mostly I prefer for someone else to analyze the music for me. This time, this was the only reliable source.The book plods along at times and I may have put it aside for weeks, but always picked it up again. It contains a lot of family history, scattered throughout. You could not read that all in one chapter.It’s not really possible to describe all the angles and content in any short paragraph. Let’s just jump to page 528. Elvis meets Brodsky quartet. They have been fans of each other. A singer that works with them is always a gift for a string quartet. Lots of concerts and also at times a way to approach a bigger audience. Crossover, but not in a bad way this time. Read the next 20 pages for a very meaningful musical awakening for Elvis.One thing that was entire surprising is that he is in fact very musical, like McCartney, though with lesser vocal and instrumental talent. He had a gift for harmony from a child and eventually learned to write simple scores with the Brodskys.The rock band and Attractions era is well enough described as well, so whatever part of his career interests you, you can skip around and read that. The book has no index, so just go chapter by chapter. Each chapter clearly outlines what is in it on the first page.Somehow by one third of the book read, I knew I had to finish it. Many other books were started and stopped in the time between.Nick Hornby gave the book praises, that was enough to buy the book at the airport 5 months ago.CD set of the same name:It's a well balanced collection of the more energetic early years and some of the newer material without his usual side men. The co-written songs are not there much other than Veronica where he had help from McCartney.Any Costello collection is welcome, there are so few now.
There are some interesting anecdotes in here about Costello's run ins with just about every musician of note from the late 60s to the present. You get the impression that he spends most of his time planning tribute concerts. There's some really great stuff here and the book showcases the author's trademark incisive wit. That said, I found myself skipping huge sections that didn't keep my attention. The book bounces back and forth through time, creating a confusing timeline for fans. And personally, I found the explorations of Costello's personal life less interesting than his musical misadventures.
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