Sabtu, 28 Mei 2016

Download The Minor Prophets: A Commentary on Obadiah, Jonah, Micah, Nahum, Habakkuk

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The Minor Prophets: A Commentary on Obadiah, Jonah, Micah, Nahum, Habakkuk

The Minor Prophets: A Commentary on Obadiah, Jonah, Micah, Nahum, Habakkuk


The Minor Prophets: A Commentary on Obadiah, Jonah, Micah, Nahum, Habakkuk


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The Minor Prophets: A Commentary on Obadiah, Jonah, Micah, Nahum, Habakkuk

From the Back Cover

With their messages of doom and judgment, the Minor Prophets have not been popular subjects in the history of biblical interpretation. In this exegetical and expository commentary, noted scholars remedy this neglect by offering an authoritative, evangelical treatment on the prophets. This volume, the second of three, features commentary by Jeffrey Niehaus (Obadiah), Joyce Baldwin (Jonah), Bruce Waltke (Micah), Tremper Longman III (Nahum), and F. F. Bruce (Habakkuk). The authors not only provide meticulous exegesis of the Hebrew text but also relate the message of the ancient prophets to contemporary life in practical and meaningful ways.Praise for The Minor Prophets"Although written from an evangelical perspective, not one of the volumes shies away from critical questions, making it a useful book for both the academic scholar and the minister in the local congregation."--S. D. Snyman, Old Testament Essays"The information in this book will help in any serious study of an often neglected segment of the Bible."--Dianne Bergant, CSA, The Bible Today"Its combination of attention given to technical and expositional issues makes it one of the best sets on this part of the Old Testament."--Michael A. Grisanti, Master's Seminary Journal"Preachers and teachers will find the 'nuts and bolts' analysis of the Hebrew text in this commentary to be helpful for their tasks."--Robert R. Ellis, Review and Expositor"A worthwhile investment both for the interested and knowledgeable layperson as well as the intermediate-level student."--Ronald L. Androphy, Hebrew Studies"Overall, this is probably the best exegetical commentary on these books for the pastor's study."--John F. Brug, Wisconsin Lutheran Quarterly"This volume is a solid resource for both student and pastor. It provides a demonstration of what evangelical scholarship can do as it honestly wrestles with the text."--Gerald Wheeler, Andrews University Seminary Studies

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About the Author

Thomas Edward McComiskey (1928-1996; PhD, Brandeis University) taught Old Testament at Trinity Evangelical Divinity School and served as presiding fellow of the American College of Biblical Theologians.

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Product details

Paperback: 426 pages

Publisher: Baker Academic (August 21, 2018)

Language: English

ISBN-10: 1540960862

ISBN-13: 978-1540960863

Product Dimensions:

7 x 1 x 10 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#321,170 in Books (See Top 100 in Books)

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Minggu, 22 Mei 2016

Ebook Download Unfaithful Music & Disappearing Ink, by Elvis Costello

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Review

"Some of the best writing – funny, strange, spiteful, anguished – we’ve ever had from an important musician.” –Dwight Garner, The New York Times “The book is fantastic - maybe the best about music by a musician that I've read.... The stuff about the collaborations alone - McCartney, Burt Bacharach, Allen Toussaint, the Roots, the Brodsky Quartet  - is riveting.” –Nick Hornby “In a world littered with uneven (and largely ghosted) celebrity memoirs, “Disappearing Ink” is a beautifully written revelation. Dare I blaspheme by declaring I liked it even more than the excellent memoirs produced by Bob Dylan and Keith Richards? Costello embraces the basic qualities of good storytelling: the use of detail, tension and humor....The book is also a gold mine for Costello obsessives who have spent decades dissecting and analyzing his every lyrical zinger. But it’s not just for fans, more “Angela’s Ashes” than Motley Crue’s “The Dirt.” “Unfaithful Music” is a lyrical tale that stretches across generations, geography and a century of popular song. The book serves as both a musical and personal anthropology.“ –Geoff Edgers, The Washington Post "Often brilliant and wholly idiosyncratic." –David Ulin, Los Angeles Times ”[Unfaithful Music & Disappearing Ink] is refreshingly free of salacious gossip and needless name-dropping; it's an intelligent self-assessment from a musician who went from angry young man to elder statesman of pop… It's an unexpected memoir from a musician whose creativity and brilliance changed pop rock forever.” —Michael Schaub, NPR “Revelatory, evocatively crafted, [and] highly entertaining.” –David Fricke, Rolling Stone “A winningly droll and good-natured guide to his life and many works throughout.” –Entertainment Weekly “Punctuated with sardonic and self-aware truths.” –Pitchfork"Just like his music, Unfaithful Music constantly defies expectations and the simple pleasures of faraway days. Written in a clipped, biting style, the book reads like Costello's greatest songs, equally lyrical and hard to pin down. It's a constantly illuminating, perpetually idiosyncratic read, fitting for a musician whose entire life has been one long reinvention…. For 670 brilliant pages, we're allowed to tag along with one of the greats, witnessing the unchanging beauty of a man who refuses to settle down on his quest of musical self-exploration—and we're all better off for it. " –Chicago Reader“Vivid….It's not surprising that one of rock's most literate songwriters would pen such a deep, free-form memoir.” –Houston Chronicle“Elvis Costello delivers an impeccably detailed autobiography. He’s often as brilliant at turning a phrase in prose as he is in his lyrics.” –Paste Magazine “Enthralling…. This is family history as musical encyclopedia, and to listen to Costello recount his life is to be buttonholed by an enthusiastic fan. Fandom for Costello is inseparable from the compulsion to write songs and, it seems, to understand his own life…. Fortunately for the fan of Costello’s music the topic of discussion is often his own songs, and he is, unsurprisingly, a witty and eloquent guide.” —Paul Grimstad, New Republic “Long one of music's wittiest, smartest, and most perceptive lyricists, Costello has done his legacy proud with his new book, which, thankfully, goes far beyond his angry-young-man days, most movingly in its frequent reminiscences about the relationship between the singer and his musician father.” —New York Magazine   “[Costello] pens books with the same clever writing that he uses in song.” —Kathy Flanigan, Milwaukee Journal-Sentinel “Costello[‘s] book is capacious, clever, and full of heart and soul.” —Dan DeLuca, Philadelphia Inquirer “The story unfolds like a movie that jumps across time, more thematic than chronological, as boyhood anecdotes and obsessions intersect with mature songs and adult reckoning…. The book doubles as a selective mini-history of 20th century music, as told by a discerning guide. He addresses artists both towering (Bob Dylan, Joni Mitchell, Johnny Cash) and relatively unheralded (David Ackles, Robert Wyatt) with a fan's affection and music scholar's insight.” –Greg Kot, Chicago Tribune"With an encyclopedic knowledge and appreciation for, and deep love of, music, and with an expressive power and heart, Costello’s memoir will take its place in the highest echelons of the genre." --Library Journal (starred review)“This is a big book, literally, by one of the best rockers in the business. Given the singular, and eclectic, nature of his career, it is no surprise that Elvis Costello’s anecdotal autobiography is an idiosyncratic journey through his music and the people and places that have inspired him…A must for Costello fans everywhere.” --Booklist (starred review)  “Costello’s prose cuts with the same spiky wit and observational power as his well-known lyrics…packed with great lines, vivid anecdotes…a treat for his many fans.” —Kirkus Reviews   “Plenty of tales to keep the pages turning. Readers will be fascinated by Costello’s stories…his book feels like a discussion between friends over a pint.” —Publishers Weekly"Costello is one the greatest writers of the 20th Century. It's funny, observant and clear of purpose." --Times "By turns lachrymose, self-flagellating and impassioned. Unsurprisingly, it is beautifully written. It is also often extraordinarily moving." --Dan Cairns, Sunday Times "Written elliptically, episodically beautiful ... this man's knowledge is breath-taking." --Observer "Every page exudes his deep love and knowledge of modern music." --The Guardian "His witty, word-playing voice transmits loud and clear....there are smart snapshots of vanished worlds...all his sins and virtues are displayed in this stylish, astute book." Victoria Segal, Sunday Times "A truly weighty rock memoir ... There's plenty of insight into his art here, a smattering of gossip, a wealth of pop-cultural knowledge, and just enough self-flagellation to keep things interesting." --NME "A series of wryly comic tales that surely deserve the full Penguin Classic treatment randomly afford Morrissey." --GQ "One of the finest musical biographies I have ever read ... an engrossing and rewarding read." Keith Bruce, The Herald "It really is stunning. Hugely illuminating, fiercely passionate, funny, moving and beautifully written." --Mark Billingham

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About the Author

Elvis Costello is a Grammy award-winning musician whose career spans almost four decades. A prolific singer-songwriter, Costello has released several critically-acclaimed albums, and in 2003 was inducted into the Rock and Roll Hall of Fame.

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Product details

Hardcover: 688 pages

Publisher: Blue Rider Press; First Printing edition (October 13, 2015)

Language: English

ISBN-10: 0399167250

ISBN-13: 978-0399167256

Product Dimensions:

6.4 x 1.6 x 9.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

153 customer reviews

Amazon Best Sellers Rank:

#209,245 in Books (See Top 100 in Books)

Whew!!!! Listening to Elvis C. over the course of 15 CDs was a profoundly moving, entertaining, and informing listening experience. I wanted to read the book, and when I discovered that Elvis narrates the audio, I decided to listen. His voice, as reader of his material, is superb. His imitations of other figures are hysterical! (I'm smiling as I write this remembering his Bob Dylan and George Jones imitations). I've learned so much from this book, about Elvis's life, about his writing craft, and about all the tremendous (and varying) musicians that have inspired him. I enjoyed all the lyrics he stated throughout the text. The book has re-introduced the entire Elvis canon to me, and then some. Elvis albums I've previously dismissed I now look forward to listen to with a newly-learned appreciation. I now want to buy the book to read it again. This book is guaranteed to expand your record collection - among the new records I have purchased (thanks to Unfaithful Music), is Billie Holiday's All or Nothing at All, which EC raves about as one of his necessary recordings (or which there are so many). If you are passionate at all about music, read - better yet listen to - this book!

Elvis's biography is much like 90% of his recorded output: alternately genius and pedestrian, compelling and tedious, opaque and vulnerable, impeccably crafted and sloppily slapdash, often in the space of a single sentence. Unlike some other reviewers here, I found his treatment of his grandparents and parents to be some of the strongest material. Several stories of the real life events that inspired lyrics are revelatory, and will forever change how I view the songs. But the endless self-recrimination, while no doubt heartfelt, alternates with incurable English reserve so that, like one of his own lyrics, we're often not quite sure exactly what sentiment is being expressed. As in his songs, his prose seems more confessional than he seems to think it is; he's a master of deflection, misdirection, and syntactical sleight of hand, which is both exhilarating and frustrating. The tales of his various encounters with other "song and dance men" are interesting to the extent you have any reference point for the often obscure musicians and songwriters involved. The stream of consciousness time-shifting didn't bother me, but will leave those who prefer linear storytelling tearing out their hair.The text also, like many of his albums and the long jumble of his career overall, suffers from a case of "too many words." I mean his prolificacy is great and all, but there are precious few of his records that couldn't use some judicious trimming. There's no reason in the world for this book to approach Moby Dick length, especially as many incidents are repeated practically word for word in different contexts.I read every word and enjoyed it, and having your streaming audio service handy to listen to his many influences, inspirations, and recommendations is highly recommended. Looking forward to seeing him with the Imposters and the Hollywood Bowl this summer.

I picked up this book at an airport bookstore. It was easy enough at the start, and I had not had anything but the internet and one field guide to read in English for 10 days. I knew I had a brick in hand, but perhaps it contained some answer to mysteries.The lyrics and origins of many songs are explained. There is an accompanying two CD set you can buy if you do not know the songs. His strength is in his lyrics. He explains collecting fragments in a notebook, phrases heard, that sort of thing. A common way for song writers.Previously I managed the Dylan autobiography and one by George Harrison. Mostly I prefer for someone else to analyze the music for me. This time, this was the only reliable source.The book plods along at times and I may have put it aside for weeks, but always picked it up again. It contains a lot of family history, scattered throughout. You could not read that all in one chapter.It’s not really possible to describe all the angles and content in any short paragraph. Let’s just jump to page 528. Elvis meets Brodsky quartet. They have been fans of each other. A singer that works with them is always a gift for a string quartet. Lots of concerts and also at times a way to approach a bigger audience. Crossover, but not in a bad way this time. Read the next 20 pages for a very meaningful musical awakening for Elvis.One thing that was entire surprising is that he is in fact very musical, like McCartney, though with lesser vocal and instrumental talent. He had a gift for harmony from a child and eventually learned to write simple scores with the Brodskys.The rock band and Attractions era is well enough described as well, so whatever part of his career interests you, you can skip around and read that. The book has no index, so just go chapter by chapter. Each chapter clearly outlines what is in it on the first page.Somehow by one third of the book read, I knew I had to finish it. Many other books were started and stopped in the time between.Nick Hornby gave the book praises, that was enough to buy the book at the airport 5 months ago.CD set of the same name:It's a well balanced collection of the more energetic early years and some of the newer material without his usual side men. The co-written songs are not there much other than Veronica where he had help from McCartney.Any Costello collection is welcome, there are so few now.

There are some interesting anecdotes in here about Costello's run ins with just about every musician of note from the late 60s to the present. You get the impression that he spends most of his time planning tribute concerts. There's some really great stuff here and the book showcases the author's trademark incisive wit. That said, I found myself skipping huge sections that didn't keep my attention. The book bounces back and forth through time, creating a confusing timeline for fans. And personally, I found the explorations of Costello's personal life less interesting than his musical misadventures.

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PDF Download Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production

PDF Download Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production

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Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production

Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production


Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production


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Logic Pro X 10.1: Apple Pro Training Series: Professional Music Production

About the Author

David Nahmani (Valley Village, CA) co-produced a song on the last Pop Will Eat Itself album, and worked with hit producer Toby Gad (Alicia Keys, Beyoncé, Robin Thicke, Fergie). He co-wrote and co-produced songs for the MTV series The Real World and Undressed. He engineered and produced three classical albums on Decca Records/BMG for the Bernard Calmel Orchestra in Paris, France; released tracks and remixes on Cleopatra Records; and, using Logic Pro, has programmed XF MIDI songs for Yamaha. David is the director of the Los Angeles Logic Pro User Group and publisher of LogicProHelp.com. As an Apple-certified trainer, he conducts Logic workshops out of his Los Angeles training center. His teaching experience also includes Logic training for the Grammy Foundation, and at Apple public events, such as the Winter Music Conference in Miami Beach, Remix Hotel, Taxi Road Rally, and ASCAP Music Expo.

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Product details

Series: Apple Pro Training

Paperback: 576 pages

Publisher: Peachpit Press; 1 edition (June 17, 2015)

Language: English

ISBN-10: 0134185730

ISBN-13: 978-0134185736

Product Dimensions:

7.3 x 1.1 x 9 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.6 out of 5 stars

143 customer reviews

Amazon Best Sellers Rank:

#361,918 in Books (See Top 100 in Books)

I am enjoying this book thoroughly, working through it cover to cover and finding that the lesson files are complete and the concepts are clearly presented and in an orderly fashion. A great learning system. Logic Pro X seems to be worthy of 'taking it from the top' and learning it all over again, even if you've used older versions of Logic Pro, LPX is a whole new environment with all new and well-designed controls. Lovin' It! Good Job Apple and Good Job David. Highly Recommended.

Just the book I needed to introduce a motivated composer to computer-based music production. The exercises are precisely structured with ample details on what to expect, where to look for various settings, functions and audio controls. My previous experience with music production software was PC-based cubase. There has been a long period since that and the power and consequently the complexities of the programs. Little knowledge transferred from my previous work and so, this book is the "leg up" I desperately needed. Exercises are predicted to take a certain amount of time, so I can establish a lesson plan, according to my time availability. My ultimate goal is to connect my synthesiser/keyboard as well as electric guitars to add sampling capability. I am yet far from that understanding, but already feeling the creative juices flow.

Didn't think twice when I bought this one, as I had good experience from the David's preceding book about Logic Pro 9. I had some worries, though, that much of the information would be redundant. My worries were needless; the new book primarily focuses on all the new functionality provided with Pro X. This being said, it's still a book that covers/brings all the basic knowledge you need to have to work with Logic. These training books are certified by Apple, so they hold a high quality. I specifically like the consistent step-by-step approach. Everything is explained in detail and illustrated by both pictures and easy-to-follow guidelines. The book comes with comprehensive audio and project material, which is great when you need to be hands-on. I bought the ebook/ iPad Kindle version, so had to download the files from the publisher's web site. It went easy and smooth. All in all, I can only recommend this book. It covers all main aspects of music creation with Logic Pro X, without being cluttered or diving too much into depth. It keeps a good balance between essential information and information for general understanding. Lastly, I need to say that this is not for everyone. If you don't wish to read 500 pages while doing your hands-on exercises, I would recommend to use video-based tutorial services like those provided by macProVideo.com instead. They're really great too!

gets the job done. i'm only half-way through the book right now and i feel it is efficiently teaching me all i need to know about logic. My only complaint is that logic requires about 50 GB of hard drive space to download the complete library of loops and instruments, and i opted not to do that until i get an external hard drive. however, the book makes frequent use of these loops and without them you will have to improvise a lot of the time with a limited library. you can still get the point of each lesson, but you might be lost some of the time trying to figure out what the book is referencing when the sounds in your project don't match what is being described.

(Five stars when read with the PDF updates file)Well written and super easy to follow with many great illustrations and simple explanations of some pretty complex topics. Some Logic's areas could probably have books all to themselves so if your expecting a lot of detail on EXS-24 programming or what every plug-in does this one isn't for you. That said a definite must read for anyone starting out, or who's just dabbled on the surface with Logic.IMPORTANT (at least until a new edition is published) if you are using Logic X 10.1 (Update released Jan. 2015) then while you download the various lesson and media files make sure you also download the PDF file with some updated text and illustrations. Nearly every time my system didn't behave as described or my menus/screen looked different it was described in the PDF and was a result of the upgrade.David also runs the logicprohelp website and does answer many of the questions on the forum. Better yet he doesn't deride/patronise those of us who are still learning this stuff or are newbies.

This book is great. It gets you started off on the right foot by explaining Apple loops and how you can use them to quickly put together a song. By the end of the first chapter you will have created a hip hop song just using loops. It gets into audio tracks, the use of the virtual Drummer feature, how to use the various elements of MIDI, the built in plug-ins and much more.Its pretty comprehensive and each chapter builds on the last. So you learn shortcut commands and how to navigate the interface because you continuosly use some of the same methods throughout the exercises. The thing I really like about it is it takes you step by step through the features with hands on exercises and quizes at the end of each chapter. This book is the official training book if you want to take the Logic Pro exam.

I've only gone through the first few chapters but learned so much. I am a beginner with Logic so this was exactly what I needed. I guess this is why it is the Apple Certified Method.The method is lab based so it's like being in a classroom only without the instructor.

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Selasa, 03 Mei 2016

PDF Ebook , by C.F. Crist

PDF Ebook , by C.F. Crist

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Product details

File Size: 1987 KB

Print Length: 25 pages

Publisher: Virtual Learning Books; 2 edition (November 13, 2013)

Publication Date: November 13, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00AC07RIQ

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Selasa, 19 April 2016

PDF Ebook Lincoln in the Bardo: A Novel

PDF Ebook Lincoln in the Bardo: A Novel

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Lincoln in the Bardo: A Novel

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Audible Audiobook

Listening Length: 7 hours and 25 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: February 14, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B01N1NU4K2

Amazon Best Sellers Rank:

Before you crack open George Saunders' new (first) novel, "Lincoln in the Bardo", you must empty your mind of what you expect an historical novel to be. Both the structure and the narrative are incredibly non-traditional, somewhat experimental, often disorienting, but ultimately fulfilling. Let me assure you that if you open your mind, you'll not only get used to it, you will enjoy it thoroughly.That said, I think "Lincoln in the Bardo" would work even better as a stage play, somewhat reminiscent of "Our Town", and in this sense I think an audio recording of the novel, if done well, might be the best way to experience this work.Bardo is a Tibetan word for the "in-between" or "transitional" state between lives (thank you, Wikipedia). The novel takes place in one night in a cemetery and the story is narrated by hundreds of voices: old and young, men, women, and children, white and black, salve and free. These denizens of Saunders' novel are in a place between life and death. We are told that people stay in this gray area for varying periods of time and that children usually stay there a very short time (this is where it also sounded a lot like Purgatory to me). Do these "beings" know that they are actually dead? They use words like "sick box" for coffin, and "sick-form" for body, "white stone home" for mausoleum, so they seem to be unclear as to their actual state. Through these voices Saunders creates as fascinating (and chilling) a version of the after-life as Dante Alighieri gave us. (There is a particularly interesting and notable discussion among them about free will in the latter part of the novel.)The basic plot is fictionalized history: Willie, Abraham Lincoln's young son, has died and he is now in the Bardo. Here we meet the many fascinating - and funny! characters who show Willie around, who witness the unusual sight of Lincoln cradling the body of his young son, and who endeavor to help both father and son to find peace. That's as far as I will go with the "plot" of this novel.One of my favorite things about this unique novel, was how Saunders presented conflicting "news reports". For example, when reporting on the White House gala reception the night Willie is dying, some "witnesses" said there was a full moon, some said there was no moon, some said it was green, some red, others said it was just a sliver. This serves to remind us that recorded history is just as unreliable as our current news reporting. What is the truth? Do we ever know? For the purpose of "Lincoln in the Bardo", we only need to know that the Lincolns did lose their beloved son Willie in early 1862, all else is brilliantly imagined and "reported" by Saunders.Ultimately "Lincoln in the Bardo" is a riveting exploration of death, grief, and love told in an utterly unique, almost poetic, fashion.

I was expecting a lot from this book and I'm sorry to say I was disappointed.It's clear to me that I can't fully appreciate Mr. Saunders alternative writing and since the onset I had a complicated relationship with this book (there were sections where I felt completely lost) I tried my hardest to like it, I really did.I know a few people who has swooned over this book. Not me. There is a very good chance that my aversion betrays a complete lack of understanding on my part.But in all honesty, I can't recommend it to anyone.

I almost want to break this review into two parts. One for those who know Saunders and one for those who’ll be experiencing him for the first time. What does it matter? Well, you’re about to hear and read a lot about this book, Lincoln in the Bardo, about Saunders himself (there was so much press with Tenth of December that I feel like he and I have hung out multiple times; that I know all his stories), and about his genius. Then, if you’ve never read him, and especially if you haven’t read much in the way of modern or post-modern literature, you’re going to pick up this book and put it down in about five minutes. That, dear readers, would be a grave (see what I did there?) error, a real tragedy. Why? Because Saunders’ much anticipated first novel really is as genius as the stories and interviews and blurbs are going to claim, but you have to do a little more of the work as a reader than you might be used to.Much anticipated is the phrase you’ll probably hear most. What that should tell you is that Saunders has a strong fan base. He truly does, and full disclosure here, I’ve counted myself among them for a few years now. His mastery of the short story is well known, with the use of quirky characters, odd theme parks, and surreal science fiction-y, angst inducing situations known to take you to dark, uncomfortable places but that still manage to find and nourish a spark of humanistic hope. Perhaps the most common feeling among his readers as they’ve enjoyed these works is “man, I wish this guy would write a novel!” He has, and in true Saunders fashion, he’s ensured that very little about the experience is “normal”.I’m not going to regurgitate plot here, plenty of better reviews have already done you that favor. What I do want to make sure to express is the feel of the structure and the experience, perhaps in terms of other things you’ve read and seen. The most common comparison I’ve read is Edgar Lee Masters’ “Spoon River Anthology”. The comparison is apt, there are similarities, mainly in that the dead speak to us of their pasts and especially of their mistakes. But Masters’ dead are much less playful and rarely attempt humor while Saunders’ cast of spirits deliver several laugh out loud moments as they guide readers through the tale. I thought often of Twain as I read.Another comparison that came to mind several times was Dante’s Inferno. Though instead of a proper hell, we are treated to a description of a Bardo, a purgatory where spirits have remained in between their death and their final destination. Each held up for reasons of their own personal obsessions, several of which are brilliantly and humorously described throughout the novel. Others are devastatingly sad yet delivered equally as powerfully. The reader increasingly learns about the rules and behaviors of that Bardo through these snippets of stories.This is probably a good time to talk about structure. It’s quite different and again, I’d expect no less from Saunders. Picture a Greek chorus, a paragraph or two of dialog (rarely more) with an attribution after each. It is startling at first and again, will be especially so to readers less familiar with modern and post-modern lit. And so it is this difference that will probably be the biggest complaint as the reviews begin to pile up here. My advice? Hang in there, it works and it works quite well. In fact, you’ll not only get used to it, you’ll learn to love it.More comparisons now. Lincoln, the titular and in some ways central (though in many ways not) character expresses the most powerful dialog and I often thought of Shakespeare when Lincoln spoke. These are beautiful and profound moments, by far the novel’s most powerful as he reflects on the death of his son Willie. You don’t have to be a parent to feel the impact of his dialog, but it sure didn’t hurt, and I personally haven’t read such raw, sincere and painful cogitation on death and mourning since I read Twain’s “The Death of Jean”. Readers of Paul Hardings’ Enon have also tasted of similar parental agony. In any case, it is through Lincoln’s character that the deepest waters flow.One other comparative thought, especially if you’re hearing all the publicity and thinking of picking up this novel for grandma who loves to read. It’ll also bring to mind at various times Beavis and Butthead, or maybe Hank and Bobby Hill. I don’t mean that as a negative, I really don’t. But I do understand that this is something about Saunders that people either love or hate. At one moment Lincoln may wax eloquent on the spark of life and in the next, you may be reminded for the tenth time or more that one of the spirits has a massive erection. These moments bring me joy and laughter, but I do comprehend that for some others they don’t carry the proper dignity of their normal read. If you are one such, Saunders may not be for you.Most importantly, I’d implore all readers to keep an open mind. If you’re a Saunders fan, you’re going to be strengthened in that fandom. If you’re new to Saunders, but enjoy alternative structures and have a history of adventurous reading, I’m confident you’ll soon count yourself a soldier in his army. However, if you’re one whose reading tends toward the traditional, conservative in structure and clear in its identity, then Lincoln in the Bardo’s narrative structure and its moments of revelry may at first feel like nails on a chalkboard to you. Please, fight through it. The novel's main points could yet become for you sweet susurrations of humanistic glory that leave you wet eyed and wondering where Mr. Saunders has been all your life.

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Jumat, 15 April 2016

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Product details

File Size: 1252 KB

Print Length: 228 pages

Publisher: Ship to Shore Books; 1 edition (October 6, 2018)

Publication Date: October 6, 2018

Language: English

ASIN: B07J3YT4X6

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Interesting to me because my uncle Mike was in A Company, 13th Engineers (Combat), that stopped the big Banzai charge. The book calls them the 50th Engineers, confusing. The individual stories at the end were great.

I haven't read a book that truly was all about personal experiences of individual men. This book showed the up cose side of their hardships in a forlorn battlefield. Anyone who is into WWII needs to read this one.

Since Attu wasn'exactly a popular battle it would be difficult to make very exciting. Author did a good job mixing vignettes and narrative to make it flow. A good American read!

The true story of the invasion of the United States is unheard of in 2019. I recommend this book to a younger audience.

or the war. This book really showed me what my Father went through. Everything my Father did tell me was in the book.

Liked explanation of the entire campaign . Amazing America could manage this invasion so soon after Pearl Harbor.

As the title states, it's told by the men that were there. Very compelling. A must read for those interested in WW2 history.

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Minggu, 10 April 2016

Download New York Practice, 5th: Student Edition, 2016 Supplement (Hornbooks)

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New York Practice, 5th: Student Edition, 2016 Supplement (Hornbooks)

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Series: Hornbooks

Paperback: 298 pages

Publisher: West Academic Publishing; 2016 edition (August 19, 2016)

Language: English

ISBN-10: 1683283538

ISBN-13: 978-1683283539

Package Dimensions:

9.9 x 7.2 x 0.5 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#1,699,367 in Books (See Top 100 in Books)

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